I spent two years living in Montpellier, France along the Mediterranean. And though I practiced several times a week at the local music conservatory, I missed having a harp in my home.
One day, I had a bright idea. The following Friday I was scheduled to fly into Paris from London, then take the train back to Montpellier. During my four hours in Paris, I could stop by the well-known harp shop L’Instrumentarium and rent a harp. Just a little one, that I could bring home on the train.
Fast forward one week. My flight landed in Paris, we rushed through customs, we jumped on the Metro and an hour later we arrived in central Paris with a map of how to get to this store that I had never been to before. A store that, I realized belatedly, closed early on Fridays.
Somehow we had gotten slightly lost on the way in, so I decided to ask for directions from two ladies who worked in the Metro. They poured over the map and then shook their heads. “It’s not possible to get there in 45 minutes,” they warned me. “But if you want to try, go this way.” Armed with this info, I and my three friends poured back onto the Metro.
Finally we emerged at street level and stood there turning in circles, bewildered. We needed to go north. Where was north? After circumnavigating the nearest building, we found our street sign and set out. Meanwhile I called the harp store.
“Bonjour, my name is Stephanie. I e-mailed you last week about renting a harp. Yes, I am on my way now… I know you close soon, but this is the only time I will be in Paris for the next month. No, I don’t have an appointment… your e-mail said that I didn’t need an appointment… I will be there in twenty minutes. Twenty minutes!”
I hung up and looked at my friends, stricken. “She said I can’t rent a harp without an appointment. Do you think it’s still worth trying?” My friends Scott, Beth, and Katy assured me violently that we should continue our quest.
So we walked. And walked. And tried to walk faster. Paris blocks are long. Finally we spotted the store and broke into a run. As I stepped into the classy glass-walled Instrumentarium five minutes before 5pm, I was acutely aware that my face was flushed from running, my hair damp with perspiration, and my clothes wrinkled from the airplane flight. Not only that, but I was dressed like an American, tall like an American, and wore (worst of all) a backpack.

Weaving my way through a forest of harps, I approached the prim middle-aged French woman at the desk and greeted her in French. “Hello, I called on the phone about possibly renting a harp?”
“You need an appointment to rent a harp,” she replied firmly.
“Yes, but the monsieur in the e-mail said I could come today and that you had harps in stock.” The e-mail I had received was in French, but I was sure I had understood it.
“Come back on Monday. We are almost closed anyway.”
“But I live three hours away and can’t come back for another month. Is it possible to make an exception?”
“Well,” she said, appearing to reconsider.”Which harp do you want?”
“Something with 34 or 36 strings.”
“Non. Impossible. I have nothing like that,” she shook her head.
This was not going as planned. “Do you have anything else for rent?”
“Just this one.” She motioned to a gorgeous little harp, about 2.5 feet tall, which sat in the corner.
“I’ll take that one,” I responded immediately, determined not to leave Paris harp-less.
She proceeded to question me thoroughly on why I wanted to rent a harp, if I knew anything about harps, who my teacher was, where I lived, when I would be back in Paris, if I had a French bank account, etc. Finally, she said, “Alright. I will need to copy your passport.”
I gulped. Because in fact, while I was running all over Paris on this mission to find myself a harp, my roommate was at the other end of Paris, dropping both our passports off at a foreign embassy with our visa applications for an upcoming missions trip. There was no way I could get my passport.
Once I had hesitantly conveyed this, the woman threw up her hands. “Mais non! You ask me to just give you a harp without knowing who you are and without a passport. Impossible.”
“I have my American driver’s license,” I offered. “Will that work? And a French bank account!” My other roommate, Katy, spoke up. “You can copy my passport,” she said. “I will vouch for Stephanie.”
Finally, with some delicate grumbling, the woman agreed, and we started filling out the paperwork. There was a security deposit of one hundred euros to pay, and as I handed her the check, the woman said, “If you don’t return the harp by 5pm when you come back, I keep the deposit and use it for my vacation.” And on her face I saw the first hint of a smile I had seen since entering the shop.

I smiled back, knowing that the harp was mine at last, and nodded. “Deal.”
“You’re lucky that I already missed my train,” she said as we wrapped up the paperwork. I looked at my watch; it was 5:30pm. She had stayed a half hour late for us.
With profuse thanks and promises of punctuality for the next time, we departed. My baby harp rode securely in a backpack-style case on my back. I couldn’t keep from grinning as we headed for the Metro, and I think more than a few Parisians thought I was crazy.
When we arrived at the Gare de Lyon, we found a spot in the corner to wait for our train home. I opened up my harp case and serenaded my friends in utter contentment until our train arrived.
Do you have a similar story to tell? I’d love to hear it. Leave a comment, or send me a message. You might also enjoy Q-Tips and Dental Appointments.
Stephanie Claussen teaches harp lessons out of her home in St. Paul, Minnesota. Send a message if you’re interested in scheduling an online lesson or coaching session.
8 comments
emily
I DO have a story that is somewhat similar. Once, I’d decided to travel with a rented harp in Ireland. It was a big one, and heavy. Earlier that season I’d traveled with it on the train, and I was berated for having in the seat next to me since it was occupying a space for another passenger–regardless of the fact the train was half-empty. So, the next time I was out and about with it– being one that follows rules–I went to the luggage car of the train. The man working on the platform held out his hand to take it from me. I was dubious, but decided that the odd shape of it would at least alert him that it wasn’t to be treated like a suitcase. No. He had it in his hands, and then reeled back as if he were about to THROW it into the luggage car. It was the slowest few seconds of my life as my harp’s life flashed before my eyes (not to mention its 5,000 euro value). My heart jumped into my throat and manage to scream out, “STOP!!!!!” Well he did. Thank god. I yelled at him, “What do you think you are DOING?! That is a HARP!” Needless to say, he was more careful with it then. The rest of the ride was torture for me, as I was separated from it, and didn’t want it to be thrown out of the car when I reached my destination. From then on, if I traveled with it, I bought a ticket for the harp as well so it could sit in the seat next to me. Take THAT conductor!!!
Stephanie Claussen
Wow. It makes me queasy even thinking about him throwing your harp. Good job stopping him on time!
Emily Schminke
I DO have a story that is somewhat similar. Once, I’d decided to travel with a rented harp in Ireland. It was a big one, and heavy. Earlier that season I’d traveled with it on the train, and I was berated for having in the seat next to me since it was occupying a space for another passenger–regardless of the fact the train was half-empty. So, the next time I was out and about with it– being one that follows rules–I went to the luggage car of the train. The man working on the platform held out his hand to take it from me. I was dubious, but decided that the odd shape of it would at least alert him that it wasn’t to be treated like a suitcase. No. He had it in his hands, and then reeled back as if he were about to THROW it into the luggage car. It was the slowest few seconds of my life as my harp’s life flashed before my eyes (not to mention its 5,000 euro value). My heart jumped into my throat and manage to scream out, “STOP!!!!!” Well he did. Thank god. I yelled at him, “What do you think you are DOING?! That is a HARP!” Needless to say, he was more careful with it then. The rest of the ride was torture for me, as I was separated from it, and didn’t want it to be thrown out of the car when I reached my destination. From then on, if I traveled with it, I bought a ticket for the harp as well so it could sit in the seat next to me. Take THAT conductor!!!
Mia Hutchinson Herne
Stephanie,
What a awesome story ! God sure was with you the whole time. He made a tough situation possible ! I am proud of you ! Keep up the good work Lady !
Mia
Reuben Correa
I went to France in 1993 to give a world premier of a piece I composed at a competition in Dinan’ -Brittany, France. This competition was for the creation of new music for the celtic harp and had to be between 7 & 10 minutes long.
Getting to France involved fending off flight crew, because I bought a ticket for my harp, self & wife.
Getting across the USA was was okay, but getting into France through customs in Boston was a nightmare because the French crew was adamant that the harp was oversized baggage. I had to protect it with my size 6’2″ and demand that it got a bulkhead seat. They set aside our paperwork and we almost lost all of our Travel documents as the plane was ready to take off. No the French were not nice to us atall. But I waved my paperwork and loudly stated I Have a TICKET!! Its coming with me.
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